It is the multimedia device that brings the benefits of Nature into any enclosed space, in total relaxation.

Within three minutes, no more, A. slowly stops crying, his face relaxes, his mood changes completely from anguished to carefree. The videos really seem to be a great way for these people to bring back their fondest memories.

We can’t bring them to the mountains, but we can bring the mountains to the care facility and make them feel at home again. This is the great power we have; we give them back their lives. … It is really a therapeutic tool; it is pure therapy for the soul and the heart.

While watching therapeutic TV, the lady relaxes and manages to sleep. Even now, during the nights when she starts to manifest psychomotor agitation, the operators bring her in front of the therapeutic TV and most of the time this proves to be decisive.

Emotions and sensations of enchantment and beauty. The environment becomes serene and welcoming. The first result was a reduction in so-called ‘behaviour disorders’. On a physical level, too, some of them felt improvements.

The first element you must always reflect on is the environment in the sense of stimuli, colours, possibilities. I believe that our televisions must remain switched off and there must be a wisdom that proposes thoughtful images on the biography of these people. This video, which also brings us back to peace, has to be turned on. Two, three armchairs, the video goes and you have created an environmental pause so that the person can sit, rest for three or four minutes and restart. Today we can choose things that have a very low economic impact and a very high impact on the quality of life. Doing this is an improvement.

In the serenity, in front of a forest, a flower, or other images, memories also began to surface. Or people began to sing, or remembered a nursery rhyme. The climate influenced the family members themselves. For example, a group of relatives had formed, who would have the residents sing in the evening after dinner, in front of the pictures. The tranquillity that allowed for conversation had been created.

Emilia sees the films with an impressive hunger for beauty, she is completely dazzled, there is nothing around her during the forty-minute session.

Romeo had not spoken for two years; he no longer expressed any emotion. One day I projected the video of the sea and out of the blue we heard “Ah, the sea!”. He started telling us that he had asked his wife, kneeling on the beach, to get married. They then got married and went back there on their honeymoon. And he told us about his honeymoon.

We had two residents who no longer wanted to eat, they said ‘I don’t want to live anymore, so I won’t eat’. We put the fruit DVD rather than the garden DVD and eventually they started eating on their own, autonomously.

There are often moments of sharing on reminiscences, tales of their experiences or memories, and with emotion and sighs many manage to let us understand the inner depth that these videos allow them to reach.

The methodology of storytelling combined with the stimulation of nature videos arouses, activates, conveys emotions. The conversational dimension is intensified in the group. The memory dimension is activated from the natural place, but only transits from there to the connected and personal sensations and EMOTIONS.

Rereading the stories that have been made makes us realise the richness of this proposal, which does not end in the time of the actual narration, but continues on the written page. We are collecting them with the idea of enhancing and highlighting, preserving them with care.

They have become so in tune with the experience that it now becomes almost spontaneous for them to listen and get into synergy with the activity in order to respond actively and enthusiastically.

The interesting observation – and one that I think would be worth investigating with a more detailed study – is that the videos introduced an important cognitive and attentional stimulus after a moment of relaxation, while maintaining calm and tranquillity within the session.

Also the caregivers have been facilitated in their work. The projections of the Relaxation Channel manage to give a rhythm to the work of caring, which is slow and delicate. This slowing down can be perceived in so many actions of daily life: one sees more, hears more, feels more… this is perhaps the biggest change that the programme has brought about.

Last but not least, the sense of beauty that these nature paintings have been able to create in the facility. The paintings that are projected are truly beautiful, are never the same, and also aesthetically create a pleasant environment to be in.